Nüart Gallery: Artist Spotlight

artist spotlight

Interview from the Nüart Gallery Editorial

Q: What does a typical day in the studio look like for you?

A: One of Pablo Picasso’s best known quotes is, “Inspiration exists, but it has to find you working.” I’d like to unpack the word “work” throughout this interview.

I start by collecting information. Some might call it “piddling around”. For example I’ll ask the question, “what is a white wall?” Then I’ll spend the next week testing different hues of white paint and explore lighting on different walls. As I piddle, I  have music playing in the background, and when a good song comes on, I save it in a playlist. This new playlist will become part of the foundation for a new painting series.

This first chapter in my studio practice also includes looking, and playing with ideas around possible supports, materials and scale. I think about new methods and experiments I want to take part in. Inspiration comes in the form of a title and color parameters for the new series.

The next chapter may be what some call “work”. I am no longer gathering information, but processing. I stretch and prime, lay down colored grounds, and begin working with the first value studies. I have a sense of where I want to go, and which colors I will use, but I don’t know how it will unfold.

The final chapter is the most exciting. When the glaze layers are really taking shape, I work in a state of awe and gratitude. I lose track of time, I lose track of myself. Continue reading “Nüart Gallery: Artist Spotlight”

Tamarind Institute Residency

tamarind institute residency

Tamarind Residency

Tamarind Institute residency workshops between artist and printers are the basis for a conversation on the shared creative language through interdisciplinary partnerships. Since 1960, Tamarind Institute has shaped the field of collaborative printmaking, through a unique printer training program and an educational mission to preserve and advance the creative medium of lithography. Continue reading “Tamarind Institute Residency”

PBS art series COLORES!

pbs art series colores

The work and vision of Willy Bo Richardson featured on the award winning PBS art series ¡COLORES!

For over 20 years ¡COLORES! has explored music, the arts, history and culture of the American southwest. Intimate footage and interviews allows viewers to observe the artists at work and watch their process as they transform inspiration into art.

PBS Arts unifies communities nationwide, represents diverse audiences and connects through a passion for dance, music, theater and more. PBS serves as America’s largest stage and spotlights content from the contemporary to the classics, ensuring the arts are accessible to all with rich, educational programming.

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Santa Fe Literary Review

sfcc visual arts gallery

The Santa Fe Literary Review is an annual in-print literary journal. SFLR features work by local, national, and international writers and artists. This years Review includes fiction by Tommy Orange, recipient of the 2019 PEN/Hemingway award for his debut novel, There There.

In conjunction with the review is an exhibition of works by visual artists at SFCC Visual Art Gallery. I’m showing a large 13 foot triptych as well as the small painting on wood panel featured on the cover of the Review.

The Spaces Between
Reception and reading: Thursday October 17, 5-7pm
October 15-November 21

SFCC Visual Arts Gallery
6401 Richards Ave
Santa Fe, NM 87508
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Albuquerque Museum Permanent Collection

Richard Levy Gallery is pleased to announce the accession of Number 1,” 1999 to the permanent collection of the Albuquerque Museum. The Albuquerque Museum Permanent Collection features artists living in or influenced by the South West region and includes masterworks by Georgia O’Keeffe, Raymond Jonson, Fritz Scholder, and Jaune Quick-to-See Smith.

Albuquerque Museum Permanent Collection
Number 1, 1999 58 1/8 x 62 5/8 inches, oil on canvas

Number 1 was the first of what developed into a multi-decade process. Mid-way through his MFA thesis at Pratt Institute, Richardson stopped painting, turned his paintings to the wall, and started over, beginning with vertical strokes in defiance to the notion at the time that “painting was dead”.

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Dad, Why Do You Paint Stripes?

sfmoma

Article originally appeared in Pyragraph

My 8 year old daughter asked me if I can paint anything other than stripes… and she has a good point. Brilliant minds that I respect in the art world have asked me the same thing.  Yesterday, over breakfast, my family had a sketchbook out on the table and I drew a bagel. I exclaimed, “There! See, I can draw something!” We had a good laugh about it, but as the years go on, I continue to receive the same comments from friends and colleagues.

In order for an artist to make it to the 20 year mark, that person has got to have chutzpah, or a big ego, or both. It would otherwise be impossible to work tirelessly towards an obscure goal, against the interest of our mainstream culture, and against the interest of having a comfortable lifestyle. Continue reading “Dad, Why Do You Paint Stripes?”