A Matter of the Mind: On the Air

Willy Bo Richardson on the air with Mark Perry, “A Matter of the Mind” KSFR April 16, 2024. With the theme of connectivity. Richardson and Perry have a conversation about creativity and flow states in relation to psychology and art history.

“A Matter of the Mind” –  Audio podcast episode here:

Synthesizing his knowledge and experience of hypnotherapy, experiential education, facilitation, presentation and musical performance, Mark Perry‘s radio show explores mind, consciousness and creative intelligence. His focus is on the cultivation and advancement of our natural connectedness.

Richardson also talks about his new work and the exhibition “Confluence” at Nüart Gallery with Joseph Ostraff.

Interview from the Nüart Gallery Editorial 2024

I am especially excited about this current body of work on the level of process. I’ve been making innovative changes in leaps and bounds over the last 2 years. I began using acrylic airbrush and spray guns for my value studies. These are the first layers that provide structure for subsequent layers painted in oil. The combination of spray gun and brushwork is really starting to come together. I’m doing things I didn’t even know were possible just a few years ago!

It’s not an accident that early modern humans painted in caves. Painting is inherently solitary. I am inspired by the first cave paintings, to the lush robes of medieval altarpieces, to the inventiveness of the Renaissance, to the destruction and open mindedness of the abstract expressionism, to the return to materials of the minimalism. I seek to navigate through social and political upheaval and blaze a path through historically relevant passageways. To be mindful is to be able to make a stand. To declare, “this is the way! I found a path!”

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Tamarind Institute Residency

tamarind institute residency

Tamarind Residency

Tamarind Institute residency workshops between artist and printers are the basis for a conversation on the shared creative language through interdisciplinary partnerships. Since 1960, Tamarind Institute has shaped the field of collaborative printmaking, through a unique printer training program and an educational mission to preserve and advance the creative medium of lithography. Continue reading “Tamarind Institute Residency”

PBS art series COLORES!

pbs art series colores

The work and vision of Willy Bo Richardson featured on the award winning PBS art series ¡COLORES!

For over 20 years ¡COLORES! has explored music, the arts, history and culture of the American southwest. Intimate footage and interviews allows viewers to observe the artists at work and watch their process as they transform inspiration into art.

PBS Arts unifies communities nationwide, represents diverse audiences and connects through a passion for dance, music, theater and more. PBS serves as America’s largest stage and spotlights content from the contemporary to the classics, ensuring the arts are accessible to all with rich, educational programming.

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Santa Fe Literary Review

sfcc visual arts gallery

The Santa Fe Literary Review is an annual in-print literary journal. SFLR features work by local, national, and international writers and artists. This years Review includes fiction by Tommy Orange, recipient of the 2019 PEN/Hemingway award for his debut novel, There There.

In conjunction with the review is an exhibition of works by visual artists at SFCC Visual Art Gallery. I’m showing a large 13 foot triptych as well as the small painting on wood panel featured on the cover of the Review.

The Spaces Between
Reception and reading: Thursday October 17, 5-7pm
October 15-November 21

SFCC Visual Arts Gallery
6401 Richards Ave
Santa Fe, NM 87508
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Albuquerque Museum Permanent Collection

Richard Levy Gallery is pleased to announce the accession of Number 1,” 1999 to the permanent collection of the Albuquerque Museum. The Albuquerque Museum Permanent Collection features artists living in or influenced by the South West region and includes masterworks by Georgia O’Keeffe, Raymond Jonson, Fritz Scholder, and Jaune Quick-to-See Smith.

Albuquerque Museum Permanent Collection
Number 1, 1999 58 1/8 x 62 5/8 inches, oil on canvas

Number 1 was the first of what developed into a multi-decade process. Mid-way through his MFA thesis at Pratt Institute, Richardson stopped painting, turned his paintings to the wall, and started over, beginning with vertical strokes in defiance to the notion at the time that “painting was dead”.

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